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We support advanced research in experimental performance by its collaborators, often resulting in print and digital publication. These publications grew from research conducted in conjunction with SLIPPAGE-supported events.
This multi-year research project explores Black dance practices across the United States in order to demonstrate how they help constitute African American identity and instantiate Black freedom.
Conferences, symposia, working groups, and research formations explore what can happen when we look beyond any mainstream of social interaction.
Our central hub where publications, events, and resources converge, providing a diverse knowledge of creative endeavors.
Written by Thomas F. DeFranz; Black performance theory is a rich interdisciplinary area of study and critical method.
We support advanced research in experimental performance by its collaborators, often resulting in print and digital publication. These publications grew from research conducted in conjunction with SLIPPAGE-supported events.
Dancing the Watery Folds, April 2021
New Dialogues: The Intersection of Dance and Technology, 2019
Talking Black Dance, 2016
Bone-Breaking, Black Social Dance, and Queer Corporeal Orature, 2016
Theorizing Connectivities: African American Women in Concert Dance, September 2011
Composite Bodies of Dance: The Repertory of the Alvin Ailey American Dance Theater, December 2005
Believe the Hype: Hype Williams and Afrofuturist Filmmaking, 2003
Blacking Queer Dance, Winter 2002
’Being Savion Glover’: Black Masculinity, Translocation, and Tap Dance, 2002
Foreword: Black Bodies Dancing Black Culture – Black Atlantic Transformations, 2000
Join our vibrant community where diverse artists unite, breaking boundaries and creating collaborations that transcend cultural richness. Immerse yourself in the power of inclusive artistry with SLIPPAGE.