Share to
We support advanced research in experimental performance by its collaborators, often resulting in print and digital publication. Review our Book Chapters below.
This multi-year research project explores Black dance practices across the United States in order to demonstrate how they help constitute African American identity and instantiate Black freedom.
Conferences, symposia, working groups, and research formations explore what can happen when we look beyond any mainstream of social interaction.
Our central hub where publications, events, and resources converge, providing a diverse knowledge of creative endeavors.
Written by Thomas F. DeFranz; Black performance theory is a rich interdisciplinary area of study and critical method.
We support advanced research in experimental performance by its collaborators, often resulting in print and digital publication. Review our Book Chapters below.
The Oxford Handbook of Contemporary Ballet edited by Kathrina Farrugia-Kriel and Jill Nunes Jensen, 2021
Thinking Through Theatre and Performance, 2019.
The Oxford Handbook of Improvisation in Dance, edited by Vida L. Midgelow, 2019.
The Sentient Archive: Bodies, Performance, and Memory, edited by Bill Bissell 2018
Queer Dance: Meanings & Makings edited by Clare Croft, 2017
The Oxford Handbook of Dance and Politics, edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin, 2017
Choreography and Corporeality: RELAY in Motion, edited by Thomas F. DeFrantz and Philipa Rothfield, 2016
Dance Dramaturgy: Modes of Agency, Awareness and Engagement, edited by Pil Hansen and Darcey Callison, 2015
Black Performance Theory, edited by Thomas F. DeFrantz and Anita Gonzalez, 2014.
Black Performance Theory, edited by Thomas F. DeFrantz and Anita Gonzalez, 2014
The Oxford Handbook of Dance and the Popular Screen, edited by Melissa Blanco Borelli, 2014
The Oxford Handbook of Dance and Ethnicity, edited by Anthony Shay and Barbara Sellers-Young, 2014
Introducing the New Sexuality Studies, Original Essays and Interviews, edited by Steven Seidman, Nancy Fischer, Chet Meeks, 2011
Ain’t Nothing Like the Real Thing, edited by Richard Carlin and Kinshasha Holman Conwill, 2010
Black Metropolis: New York City’s Harlem, 1914 to 1934
Dance, 2008
Of the Presence of the Body, Essays on Dance and Performance Theory, edited by Andre Lepecki, 2004
Moving History/Dance Cultures, 2001
Dancing Many Drums: Excavations in African American Dance, edited by Thomas F. DeFrantz, 2001
Theatrical In(ter)ventions, 1998
Join our vibrant community where diverse artists unite, breaking boundaries and creating collaborations that transcend cultural richness. Immerse yourself in the power of inclusive artistry with SLIPPAGE.